Another One Bites the Dust

I finally got around to reading Festive in Death by JD Robb (the mystery-writing pseudonym of bestselling romance author Nora Roberts).

Festive in Death

This is the 39th book in the popular In Death futuristic mystery series, and perhaps that’s why this book is further proof that Robb/Roberts is losing her touch.

At first, I thought that I wasn’t that into the book because it was my first time reading an e-book on Google Play Books, instead of my usual Amazon Kindle app. Perhaps that was the reason I kept putting the tablet down while attempting to read this book: an unfamiliar e-book delivery system. But no; when I read another book via Google Play Books, I was able to stay engaged and had a hard time putting the e-book down. So the platform delivery was not the issue; the book content was.

I noticed that the quality of the In Death plots began to decline with Salvation in Death, book #27 in the series. At the time, I thought the book had a phoned-in quality, like Robb couldn’t be bothered to put forth her best efforts. Random reviews from different bookseller and fan sites showed that I wasn’t alone in my thinking; indeed, many were not pleased by the lack of her normal plot and character depth. She redeemed herself in subsequent books until she reached Indulgence in Death (book #31), which was a poor rehash of the plot of Seduction in Death (book #13). Again, all was decent until Calculated in Death (book #35, which was another poor rehash of the subplot of Born in Death, book # 23).

[yes, I’ve read the entire series from the very beginning, and have most of the books, so I can pinpoint a lot of these changes–so can a lot of other fans.]

There have long been rumors (since around the time of Indulgence in Death) that the In Death series/JD Robb books were being ghostwritten, rumors that Roberts/Robb vehemently denies. Yet continuity errors (character names, character backstories, noticeable difference in writing style from earlier books in the series, etc.) in latter books belie her denials. Given the state of the last three or so books, I’m leaning toward the ghostwriting school of thought for at least some of the books in the series.

Hey, I get it: Nora Roberts has  “written” forty of the JD Robb full-length novels (#40, Obsession in Death, comes out in 2015), plus short stories surrounding the main character, Lieutenant Eve Dallas of the New York Security and Police Department–all in addition to putting out her romance novels under her real name. Nora Roberts got her start, and made most of her money, writing in the romance genre (indeed, her full-length romances are almost instant bestsellers. She’s a very prolific writer who seems to churn out a new book once a month or so), and it can be argued that romances are her first writing love. That being said, it’s easy to see why she’d want to take a break as JD Robb and fall back on what made her famous. It happens.

I’ve seen other of my formerly favorite authors go down the same “phone it in” path: Mary Higgins Clark and James Patterson are two of them. Patterson started the “ghostwriting via collaboration” trend that Higgins Clark is now picking up, as he turned his attention to Young Adult novels with his Maximum Ride series. Perhaps that’s what happens when you publish a certain number of books, or been in the writing and publishing game as long as they have:  you become numb, writing-wise. I’ve seen it in Patricia Cornwell’s Kay Scarpetta novels; Terry Brooks‘s Dark Legacy of Shannara series (The Dark Legacy of Shannara: Witch Wraith: what was that?!); and both Brenda Jackson‘s Madaris and Westmoreland romance series, as well.  For all of these authors (who are pretty prolific), I stopped reading them on a regular basis years ago because the spark that fueled their first twenty, thirty, forty books had gone dim. I no longer enjoyed their newer offerings and found myself reading their older works (and enjoying them more). Robb/Roberts has now been added to the list.

This is one of my fears as an author: writing so much that I will grow weary of my craft, and start turning out subpar stories just to say I published another book; or worse, hire someone to do most of the heavy lifting and rubber-stamp my name in order to retain and maintain my fan base. I’m not at that level yet, but given the amount of mental energy that goes into writing and publishing a book, I can see where the aforementioned authors are coming from. As Whitney Houston once sang, it’s not right, but it’s okay.

Thanks for stopping by.

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Giving Back: Using Writing to Help Others

I had a recent conversation with a dear friend, about a project she wished to undertake and the concerns about paying for it. While we were on the subject, we talked about how crowdfunding has been so overused and abused (I wrote about it in a previous post), that the people who would benefit from it are now at cross purposes because people are loathe to contribute. Then I had a lightbulb: perhaps I could use my writing to help her.

Writers helping others in need isn’t anything new. Acclaimed fantasy writer Terry Brooks gathered a group of fellow fantasy writers to produce Unfettered, a collection of short stories. The sales of this book went toward relieving the debt of author Shawn Speakman, who had accrued massive medical debt for treatment of Hodgkin’s lymphoma. This was a cool way of using one’s job, so to speak, to do a solid for not only another person in general, but for a member of one’s tribe.

My thoughts are to write a short story, which is not one of my strongest writing forms, and have the proceeds going toward her project. Of course, I’m nervous: my book isn’t even out yet, and who’s to say that the short story will take off (or even that the book will)? How will I fit this story into the other writing projects I have in the near future (finishing the first draft of book #2, Camp NaNoWriMo, Clarion Write-A-Thon)?

To help a friend, I will be forced to step up my game. I have to be better. And that’s a good thing.

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